Sunday, June 28, 2015

3 water colors

As you know I am in the process of trying to figure out what kind of water colors I want to make.  The first one I did I wet the whole paper, made a loose water color of the scene and then after it was dry put a pen and ink drawing over it.


ALIUM 2015

Next day I went outside and decided to start off with the pen and ink sketch.  I had a new selection of calligraphic pens that I was eager to try.  I sketched in the drawing with the pens and then using a rather larger brush then I wanted to (because that was what I had) I began to fill in the colors.  The pens, which I had selected because they were supposed to be water proof, were not, so all the water colors turned a bit dark and the lines fuzzy.  After the paint was dry I went in again and did some more pen and ink.  This is a scene by my pool.  The whole thing has gotten so fussy I'm not sure that is even visible.


BY THE POOL

Things had gotten out of hand so I decided to simply play with the colors and pens at this point.  This was a lot of fun.  


DANCE
water color on Arches cold press
9" x 12"
Nancy Herman

$100.00


Next day I hunted around my studio until I found a small water color brush, made a sketch and painted very carefully these 4 tulips that I have been longing to paint since early spring.  Nothing loose about this and no pen and ink.  Today I will try another version of this scene.  I have to admit this was also a lot of fun.  So where I am heading I do not know.




YELLOW TULIPS
Nancy Herman
water color on arches cold press
8.5" x 11"


$125.00





Friday, June 26, 2015

BLUES NOTES


BLUE NOTES
Nancy Herman
6" x 8"
oil on canvas board

Nature is always fighting for more of what it needs.  Here the plants thrust into each other for a little more sun and then when it gets too hot they hide to preserve themselves.  I have painted the foliage almost the same tone so that they are united in the struggle.  

$150.00

Wednesday, June 24, 2015

Alium

This year I had a bumper crop of beautiful Alium.  I didn't get around to making any oil paintings of it....at least not yet, but I did experiment with a water color.  I have been thinking about making some water colors for some time and have now assembled all the supplies I need to get started.  I think what I want to do is very loose water colors with pen and ink, after considering many methods.  This is my first stab at it.  The water color does not end abruptly on the sides as it does in the photo but blends into the paper as in the bottom and top.  My scanner isn't wide enough to include all.



ALIUM 2015
Nancy Herman
10.25" x 12.5"
water color and pen and ink

$125.00


Friday, June 19, 2015

WHITE HOUSE WITH RED FLAG


WHITE HOUSE WITH RED FLAG
Nancy Herman
6" x 8"
oil on canvas board

This is the painting I would have painted in the afternoon of the competition if I had more time and energy.  I like the way old buildings are juxtaposed with bits of nature in Chestnut Hill.  This building had flags flying from lots of windows creating a festive air.

$300.0

Wednesday, June 17, 2015

Two Houses on the Hill


THE CONTEST:

I got up bright and early on Sunday morning, not even stopping to think about the New York Times Crossword puzzle, grabbed all my equipment and headed out for my location in Chestnut Hill, the 8200 block of Germantown Avenue, east side.  The biggest part of the contest for me was to get to a spot under a tree with something to paint, not blocked by cars, before any other artist got there.

A little before 8:00 I arrived on 'the hill'.  It was very quiet and I had my choice of places, as there didn't seem to be another soul about.  I set up quickly across the street from the oldest house in Chestnut Hill.  I had decided to follow the rules, as I knew if I didn't I would be mad at myself, so I had the allowed sketch ready to draw onto the canvas.  Usually I would simply use graphite paper and trace it on, but that seemed not to be in the spirit of the contest, so I drew it on using a grid on the paper and the canvas to get things in about the right place.

As I started to put out my paint I noticed that I was not the only painter here after all, and in fact someone was sitting right in the middle of my scene painting my side of the street.  Pretty funny really.  The best laid plans in plein air painting almost always go awry.  I decided not to include the painter and her umbrella in my painting as I knew if I included a figure, the buildings, which had a lot of character, would be lost.  Buildings have personalities to me and these two sitting together for years had a lot to say.

Things went along swimmingly for an hour or so and then people began to wander by, the traffic picked up and it started to really warm up.  Painting on the street is not exactly plein air - which implies fresh cool breezes and communing with nature.  You really have to keep your concentration if you are on a busy street...and in the spirit of the occasion be as gracious as possible to people stopping by to chat.

I had planned to make two paintings but I decided early on that if I was to enjoy the social aspects of this 'contest' I would relax and be satisfied to finish one.

The children were especially delightful and quite respectful.  One little boy around 4 stood watching me for a long time without saying anything.  I asked him if he liked to paint, and his eyes got really big and he backed away slowly and then ran off.  I think he must have thought I was asking him to paint my picture.

Two wonderful friends came by around 12 and brought me lunch.  This was a real boon as I didn't want to leave everything and go anywhere else until I was done.  Someone who knows local history chatted for a while and said there is a tunnel from one of the buildings I was painting  connected to the Chestnut Hill Hotel.  An old friend I haven't seen for years stopped by and we caught up on children and grandchildren.  It got hotter and hotter and around 2:30 I was pretty much finished in every sense.  I was satisfied with my painting, in that I did the best I could and it looked pretty good.  It's always hard to tell what you really think of your work right away however I find, sometimes I like a painting when it is finished and hate it 2 weeks later.

The judging was not to take place until 4:00 so I had an hour and a half to kill.  All the finished paintings were placed against a wall behind the hotel and they were beginning to accumulate, with the artists sitting around waiting for the judging in the heat.  There was free water which was an excellent perk and quite necessary.  I thought about going home with my little painting and skipping the judging altogether, but then I knew I would always wonder how it turned out, so I stuck it out.

The judge for the art work was Liz Osborne, an artist whose work I have always enjoyed.  A bit before 4:00 she started sorting out the work and placing some together, presumably ones she liked.  I did not envy her this job as there were 40 or 50 paintings to choose from and there were bound to be a lot of hot tired artists who would be very disappointed.  I noticed mine was among those in the favored position.  At this point I realized why I don't like painting contests.  No matter what happens you feel bad.  If you loose you feel bad and if you win you feel bad because you know that those who didn't win feel they should have, and partly blame you.  It's not as if you got more points than the other team, or came in first in a race.  It's all subjective.

I know the suspense is killing you and you assume that because I have described this whole scene in such detail it is because I won the contest.  Nope.  I got third prize.  Third prize.  Should I be pleased?  Yes I should as my painting was chosen over many others and I am pleased to a certain extent, but really you don't want to go around telling people you won third prize unless it's maybe the Olympics.  

So what would be a better conclusion to this event in my opinion?  Hang all the art that the artists struggled to create and skip the prizes.  If anyone sells a painting that will be their reward and they won't be humiliated if they don't.  

And finally here is the painting!!!






Two Houses on the Hill
Nancy Herman
9" x 12"
oil on canvas board

Here is a link to all the winners. 1,2,3 and honorable mentions plus some scenes of the event.  (I have a friend who got honorable mention at an art show and was so outraged he never exhibited in a competition again.  Artists are sensitive beasts)

$500.00

Tuesday, June 16, 2015

Strolling Down the Hill


STROLL DOWN THE HILL
Nancy Herman
9" x 12"
oil on canvas board

This is the second painting I did last week while practicing for the Plein Air Festival in Chestnut Hill.  This time I used a sketch that I made after changing the photo in Photoshop so that the shapes were simplified.  I painted it outside in the shade of my Elm tree while looking at my iPad using lots of juicy paint.  This is a very strange method of making a painting but I do enjoy pushing the paint around into shapes that have been decided.

Here is a small blowup of the texture.


Now I have tried two methods of painting.  Neither follow the rules of the competition but at least I have been working outside, testing my set up, and getting used to the vagaries of weather and seeing if I can sit in my very small chair for several hours.  Now I have to decide what method of painting to use at the actual competition.  Let me say at the outset that I am against competitions for something as subjective as art.  But now that I am in this contest I must decide whether or not to follow the rules and how to manage the 'painting as a competition' idea philosophically.  Tomorrow - The contest.

$250.00






Monday, June 15, 2015

CHESTNUT HILL HOTEL JUNE

Yesterday I participated in the first Chestnut Hill Plein Air Festival.  There were around 50 artists dispersed over several blocks of Germantown Ave.  We were assigned a specific block and a specific side of the street.  We could begin at 8:00 with a blank canvas and were to be finished by 4:00.  It was a contest and judging was to take place at 4:00.

I signed up for this work because I have not painted outside for many years and I knew if I signed up I would have to get out there and do it and I wanted to get back to that taxing but rewarding approach to painting.

So, last week I went to Chestnut Hill on two occasions to check out where the sun was in the morning and the afternoon and where I could stand that was under a tree.  I have an umbrella that can be used if there is a place to stick it into the ground but I didn't see anywhere with ground accross from a place I wanted to paint.

While I was there I took some pictures of possible spots, as this was part of the possibilities permitted by the rules of the contest.  I decided to get some practice in before the actual event but did not want to sit on Germantown Avenue and paint so I set up my tables in the shade of my yard and painted from a photo on my iPad.  Sort of plein air.

This is the first painting.   Traditionally one would start with thin paint working probably directly with the brush (no sketch) starting with the dark areas and working gradually into thicker paint and lighter areas.  I, however, have been trying to use more paint lately and at the same time to simplify and condense my shapes.   So I make a careful sketch and fill in the shapes with juicy paint.  This is not a tried and true method for painting outside at all.  It is what I have been doing in my studio.

This painting was done with that method but painted outside.  It is a little cut off and the 9" x 12" paintings don't quite fit into my scanner.


CHESTNUT HILL HOTEL JUNE
Nancy Herman
9" x 12"
oil on canvas board


 More about the contest tomorrow.







Thursday, June 11, 2015

Painting in Chestnut Hill on Sunday


8405 Germantown Avenue | Philadelphia, PA 19118
Monday - Wednesday 10-6
Thursday-Saturday 10-8
Sunday 12-5 

PLEIN AIR
Chestnut Hill's first annual open air artist event

SUNDAY JUNE 14th 10-4 pm
8100-8600 blocks of Germantown Ave

Art, Food, Kids events and Music! 



SPECIAL EVENT
local musician's 
TOM KRUMM and MATT MADDEN
Gypsy-Jazz-Swing
in our new exhibition gallery
Performing 11-2 pm! 
 

NANCY CLEARWATER HERMAN
watch her paint on the 8200 block of Germantown Ave.
There will be a special installation of her recent work on display in the gallery


FEATURED JUNE ARTIST
Jonathan Cohn
"Windswept"
Artist reception
Thursday June 25th 5-7pm 

 
New Artist:
Cynthia Miller



New Artist:
Joel Cohen



Gravers Lane Gallery specializes in contemporary art in all media, including painting, works on paper, sculpture, jewelry, glass, ceramic, wood, and fiber.
 
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Wednesday, June 3, 2015

moving on

I am so pleased that my quilt MOVING ON has just been donated to the San Jose Museum of Quilts and Textiles by the collector Penny Nii who commissioned the piece in 1994.


MOVING ON,
48" x 48"
woven fabric strips
and sewn and then cut fabric

This was a rare combination of woven strips with a textured border.

Thursday, May 28, 2015

Scarves

Now for something completely different.
A few days ago I received an email from VIDA.  VIDA is a global partnership of creators, pairing designers from around the world with makers in Pakistan in accordance with high ethical standards, to create original, beautiful products.  And the best part is that using part of the proceeds from the sales of the products, VIDA creates literacy programs for the makers, so that they have opportunities to learn reading, writing and basic math that they would not otherwise have.
Click here or the image below to learn more:

The reason that they were reaching out to me was to ask if I was interested in providing a few of my art works as designs for some of their products.
As it happens I have many fabric designs that over the years I have created for fun, so it seemed a natural to use them for this worthy purpose and the idea of having my colors floating out in the world made me feel happy.  

Here is a link to my page with four scarves:http://shopvida.com/collections/voices/nancy-herman

These scarves are made of 100% MicroModal@ by Lenzing, a luxuriously soft botanic silk fabric made out of European beechwood.  Because of modal's botanic origin, it is particularly eco-friendly and its fineness is comparable to that of natural silk.

So far there are four products of mine on the site, one is allready in production but if the others get pre-orders within the next 14 days, VIDA will make them too. (As extra enticement, VIDA is offering the coupon code VOICES for 25% off of any preorders -- which makes these 100% modal scarves incredibly reasonable.) 

Don't feel in any way pressured to buy these scarves as a token of your friendship as I will never know who orders them, unless of course you wear them to dinner.

Thursday, May 7, 2015

What Happened

Those of you who have been subscribed to this list from the beginning, (it has been going on for about 4 years now), may be wondering what ever happened to the grand plan of creating a painting a day.  Yes, I have been wondering that myself.  The answer seems to be that as usual things change.  Other avenues of expression open up or prod back into consciousness.  Family and friends fill spaces that had been filled with painting.  Health is not perfect and the will to create is simply used by the will to survive.

At present I am working on illustrating a children's book, as I have mentioned, taking pictures of this lovely spring to hopefully finish the video I began earlier, and planning lots of paintings.

I did take a morning to visit the Barnes Foundation gardens to see how spring was arriving accross the street. The lilacs are in bloom so don't miss it if you are in the area.  I didn't take pictures of them this time but will be back this weekend to paint.













Monday, April 27, 2015

Dailypaintworks

I am happy to say I have been selected as a featured artist on DAILYPAINTWORKS this month!  You can check out a large number of my small paintings there by clicking on the link.

Tuesday, April 21, 2015

EARLY SPRING


Spring has me in a tizzy as usual.  Ever since I have been a child looking out the window as nature slowly came back to life I have wanted to be a part of it somehow.  This time of year is for me full of vague yet intense yearning.  It is as if my spirit is part of nature in its pulsing growth and is looking for a way to manifest itself in the same way the trees are bursting with life.
Yesterday I began making water colors for the first time in many years hoping to find a way to paint outside that is not quite as messy and complicated as oils. In the week or so up to this time I have been trying to capture something of these feelings in a video.  I wanted to somehow represent the way nature moves from very simple to very complex forms in a very short time.
Here is a first stab at that.  Any feedback is very welcome.  This music does not end where the video does so I may try to finish it.

https://youtu.be/Lg06YdGPnzE

Tuesday, April 14, 2015

Spring Newsletter (with pictures this time)

April is here in all its glory.  Buds will soon be popping.  This is the season of awe.  Life moves so quickly from bare branches to full blown flowers and leaves, I have the desire to slow down time.
What about art at this time when nature is having its most profound exhibit?
Traveling on line I summoned up some artists to see if their work had anything to say to me about spring.
I first saw Agnes Martin’s work at the Pace Gallery in New York many years ago and was simply amazed at its profound ability to mesmerize.  There is something so peaceful and awe inspiring about it that it never fails to put me in a calm space like no other.
This piece summons for me the very pristine beginnings of spring.




This painting by Bridget Riley feels like nature stirring herself just a bit more.  Bridget and Agnes really have a lot in common.  This work is called Zephr, a gentle wind.




Wayne Thiebaud using some of the same soft colors paints this amazingly soft bunny.  There is always a bit of humor in his work.





Paul Klee one of my all time favorite artists has this to say about Spring Sun.  There is a gradual change from gold to a slightly greener gold from top to bottom and some of his characteristic doodles along the way.  He also has a good sense of fun.


Milton Avery, always an interesting painter, here says it all with his painting SPRING BROOK.  Looks like Forsythia blooming on the hill.  The trees are just beginning to show that sweet new green that is so lovely.

                        Milton Avery Spring Brook.jpg


Charles Demuth, the great water color artist, paints tulips as if it were a romp.  He makes what is really a very tricky business look like pure joy.



Here the delicate work of Katshiko Sakura’s THE CHERRY TREE speaks of centuries of devotion to a traditional form of painting that in practice by a master still fills the heart with joy.



Meanwhile here in Merion my painting from the Dream series, INTO THE LIGHT will be included in the Main Line Art Center’s show.



Spring Gala Exhibition
May 2, 2015 - Jun 7, 2015, Opening Reception: Preview Party: Friday, May 1, 6:30 - 10 pm; Artist Reception: Saturday, May 30, 1-3 pm 
Here is a link to the DREAM video with all the paintings in that series.

As a nice bonus my work will be featured this month on the Dailypaintworks site where most of my small paintings can be seen.  I am posting the Dream paintings there as well.

Thank you for reading this far.  I wish you a glorious spring.
Best,
Nancy